Come with me into the graveyard, all human life is here

Month: March 2026

Alfred and Ada Salter: Political Triumph and Personal Tragedy

I am fond of Rotherhithe; it is a comfortable walking distance from Tower Bridge but just far enough east to discourage most tourists… apart from those who congregate at the Mayflower Inn from where a grumpy bunch of Protestant separatists may have sailed in 1620.

There is the little Brunel Museum located in the engine house designed by Marc Isambard Brunel as part of the infrastructure of the Thames Tunnel; the scant remains of Edward III’s Manor House; a few cobbled streets around St. Mary’s church, and somewhere in the graveyard the remains of Christopher Jones, the ship’s master on the Mayflower; St. Mary’s Free School, established 1613 to educate the children of impoverished seafarers, and bearing two statues of the charity children in their blue uniforms; and a Swedish, a Norwegian and a Finnish church.

Edward III’s Manor House
Memorial to Christopher Jones, Saint Mary’s churchyard, Rotherhithe. The Saint Christopher figure looks back to the old world, and the child forward to the new.
Saint Mary’s Free School, now a private house
Figures of charity children in their blue uniforms

Otherwise, Rotherhithe today is a comfortably ordinary sort of place, its massive docks and wharfs long gone, but I envy those who live in the warehouse conversions along the river and drink in the Angel, a cosy 1830s pub built out over the Thames on wooden posts. From its balcony there are stunning views upriver to Tower Bridge and the jostling skyscrapers of the City.

The Angel marks the boundary between Rotherhithe and Bermondsey, both part of the Metropolitan Borough of Bermondsey between 1900-1965. In an open space beside the pub is one of my favourite memorials: Dr. Salter’s Daydream.

Alfred Salter (1873-1945) entered Guy’s Hospital Medical School on a scholarship at the age of sixteen. He garnered prizes, first class honours, and gold medals. With his star burning so brightly, it was expected that he would assume a Harley Street practice, a consultancy, or a prestigious research post; Lister had invited him to join the British Institute of Preventative Medicine.

But during his time at Guy’s, Salter had become familiar with Bermondsey and Rotherhithe. I would not have envied the inhabitants in those days. Alongside the docks and the factories processing leather and hides, Salter visited courtyards where one water closet and one standpipe, operating for only two hours per day, served twenty-five houses. The dwellings were damp and cramped, with verminous walls, their occupants half starved. Jacob’s Island, made notorious by Dickens in Oliver Twist, lay in Bermondsey. Salter decided that this was where he would work.

He went to live in the Bermondsey Settlement which provided health and education services for one of the worst slums in London. Fenner Brockway, in his biography of Salter, describes a romantic figure bursting with life and energy, “known as the Settlement firebrand – militant Republican, militant Socialist, militant Agnostic, militant Teetotaller, militant Pacifist.” In these years Salter was also a member of an international organisation which assisted political refugees, Anarchists and Socialists fleeing oppressive regimes, and landing clandestinely from incoming ships at Rotherhithe docks.

At the Settlement, Salter met and married Ada Brown (1866-1942), a social worker. They bought a house in Jamaica Road in Rotherhithe where they lived above his surgery. Under Ada’s influence the former militant agnostic joined the Society of Friends, whose values accorded with the pacifist and ethical socialist beliefs which he and Ada shared.

Salter, who became known as “the poor man’s doctor” began by charging 6d for consultations but waived his fee if people were unable to pay, which did not endear him to fellow GPs. Later he introduced a mutual health insurance scheme in Bermondsey, described as “an NHS before the NHS.” He placed great emphasis on preventative medicine and education, promoting health centres and showing health propaganda films. His practice grew, and he took on four partners who shared his principles and worked on a co-operative basis.

In 1903 Salter was elected to the Borough Council and in 1922 he stood for Parliament as an Independent Labour (ILP) candidate. Having expounded the ideals of socialism, in his closing speech on the eve of the poll he told the electorate:

If you want a member of parliament who will vote for cheaper beer, you will elect one of the other candidates. If you want a member of parliament who will vote for an army and navy to defend Britain and the Empire, you will elect one of the other candidates… I will vote for prohibition. I will vote against all credits for the armed forces.

Most of his audience were drinkers and most of the men had served in the forces during World War I. His agent, horrified and fearing he was losing votes with every word, phoned the committee room begging them to send an urgent message calling the doctor to a life and death case.

Yet when the results came in next day, Dr. Salter had won and West Bermondsey had been captured for Socialism. In his maiden speech Salter introduced a motion in favour of a minimum living wage for all workers and condemned the fabulous dividends paid to shareholders. With a rare literary flourish he quoted Russell Lowell,

Have ye founded your thrones and altars then,

On the bodies and souls of living men,

And think ye that building shall endure,

Which shelters the noble and crushes the poor?

In his constituency Salter worked for better housing, free school meals, nursery schools, and playgrounds, recognising that these were as essential as medicines in improving public health. He understood that improvements in nutrition and the environment were vital to bring down deaths from tuberculosis. Under his guidance the council encouraged the use of tuberculin tested milk; the first municipal solarium in Britain was established to prevent and treat not just TB but also rickets and skin diseases; swimming pools, public baths and wash houses were built.

Salter himself bought Fairby Grange, an old mansion in Kent with twenty acres of grounds, and presented it to the Council to serve as the first convalescent home in Britain.

In 1929 he resigned his medical practice believing it was more important to focus on his political work removing the causes of sickness through help for the unemployed, adequate pensions, and recreational facilities.

Meanwhile Ada Salter had been elected as Mayor by the Borough Council, and the Labour majority replaced the union jack over the town hall with a red flag bearing the borough arms, fulfilling a prediction – “The red flag shall fly over the town hall” – which Ada had made when she was the only Socialist among fifty-six councillors. Ada also declined to wear the mayoral robes and chain of office. The Tory press was scandalised. But these were symbolic gestures, and she was soon introducing changes of greater social significance.

Campaigns against air pollution, pushing for the establishment of a green belt and promoting urban gardening, were at the heart of her work. Over two years nine thousand trees were planted in the borough. Thousands of cuttings from flowering plants at Fairby Grange were transported for summer bedding. Old gravestones were move to the walls of churchyards and the graves covered with flowers. Public buildings and lampposts were adorned with window boxes and hanging baskets. Bulbs, seeds and seedlings from Fairby were given to anyone in the borough with space to plant. In Southwark Park, which had been little more than a stark open space, flowerbeds and benches were laid out specifically with the elderly and mothers with young children in mind.

Both Salters dreamed of turning Bermondsey into a Garden Village. In Wilson Grove back-to-back slum dwellings were replaced with council owned cottages with gardens, drawing admiration at home and abroad. But a change in national government in 1924, and problems of space for rehousing the dense population, meant that elsewhere in the borough blocks of flats replaced the slums. Yet under the Labour Council gardens were built around the flats and tenants encouraged to grow plants on their balconies.

It was not easy. Fenner Brockway wrote:

For two years the planting of flowers was a complete failure. The children trampled on them and tore them up…the Housing Committee was coming to the conclusion that the gardens would have to be replaced by concrete yards. Then in the third year a daffodil broke through the earth –and the children were taught to guard it as though it were a fairy. The victory of the flowers was won. Adults and children now take pride in them.

The Salters had always been pacifists: both worked with the No Conscription Fellowship in World War One, and Alfred’s 1914 pamphlet Faith of a Pacifist had been translated and clandestinely distributed in Germany. In the 1930s he had spoken out in Parliament against arms sales and profiteering from war preparations. Both he and Ada worked for the Peace Pledge Union. He opposed the bombing of civilian areas in Germany despite the damage inflicted by the Luftwaffe in his own constituency. His last speech in Parliament in 1942 was a plea for peace reasoning that it was a terrible fallacy that ends justify means:

We cannot believe that any new or righteous order of society will be achieved by evil means, by overcoming evil with greater, more potent and more effective evil

His last political act was to join a two day fast to draw public attention to famine and starvation in Greece; under the combined impact of the Nazi occupation and the British naval blockade 30,000 people had died in the winter of 1941-42. Churchill’s government reluctantly lifted the blockade in February 1942.

The Salters chose cremation and have no gravestones. In 1949 Fenner Brockway wrote that the Borough of Bermondsey, despite its war time devastation, was Salter’s monument.

But Dr. Salter’s Daydream, the bronze memorial beside the Thames, remembers not just Alfred and Ada Salter’s medical and political achievements, but their private tragedy. For they had a daughter, Joyce. Unlike other middle-class parents, they did not send her to a boarding school outside the borough, for they did not believe that any child should have privileges denied to others. She attended a local school and made friends with local children. Her parents reserved a room in their home for Joyce and her friends. There everything was washable, and the toys and furniture regularly disinfected. Nonetheless when she was eight years old Joyce caught scarlet fever for the third time.

The Salters did not draw their blinds as was customary following a death. “She was our sunshine,” said Ada. “Why should we shut out sunshine?” Joyce’s portrait hung in their study, and to the end of her life Ada decorated it with flowers every day.

Portrait of Joyce with her father.
Image source: wikimedia creative commons, licensed under CC by 4.0 international license
Dr. Salter’s Daydream, bronze designed by Diane Gorvin, 1991.
Dr. Salter, remembering happy times with his daughter, looks towards the Thames, where Joyce leans against the wall.
Ada Salter with her gardening spade, her left hand is designed to hold the flowers which are often left for her.
As can be seen from the photograph above, Joyce was a beautiful child. Unfortunately the bronze of her is not so successful as those of her parents.
Joyce’s cat poised on the wall above her. In the background Tower Bridge, and modern skyscrapers in The City.

*****************************************************************

The information reproduced here about the work of Alfred and Ada Salter comes largely from Fenner Brockway, Bermondsey Story, the life of Alfred Salter, George Allen and Unwin Ltd., 1949.

Bookcover by Arthur Wragg. Dr. Salter always cycled to Parliament on the old bicycle illustrated here.

Lynn Morris of the Journeyman Theatre wrote and performed Red Flag over Bermondsey about the life of Ada Salter in 2016.

William Golding and Human Evil

The BBC recently commissioned a four-part adaptation of William Golding’s Lord of the Flies. It has provoked particular interest here in the West Country, for when Golding published it in 1954, he was teaching at Bishop Wordsworth’s School in Salisbury. In the opening sequences of the production the boys stranded on the island are wearing Bishop Wordsworth’s school uniform… the school authorities must be convinced that there is no such thing as bad publicity. Now elderly men, former pupils have appeared on local news channels speculating that the writer took inspiration from the behaviour of boys in his classroom, though no one has laid claim to have been the role model for Jack or Roger.

The Guardian critic, Lucy Mangan, after praising the acting, skewered the essential weakness of the production with an acuity worthy of her much-missed predecessor, Nancy Banks-Smith:

 It falls victim to the modern curse of psychology. All the main characters are explained by a neat backstory. Jack comes from a loveless household. Ralph’s alpha maleness is tempered by compassion because he comes from a secure home, but his mother is ill. Simon is mentally fragile because his abusive father plays mind games with him and his mother…It reduces the elemental power of the story, along with its point, which is how much evil there is in a man and whether it can be overcome. This is the question. Not how much therapy he needs.

Since its publication Lord of the Flies has seldom been far from a school syllabus. No surprise, for it is of a manageable length; well written but in accessible prose; all the main characters are adolescents; the story is gripping; and there is endless scope for discussion of symbols, allegories, irony, and inherent human depravity. A cornucopia for teachers and pupils alike.

When we were introduced to the book in our early teens my schoolmates and I were passionate about it, delighted to chew over its themes, self-consciously cynical in our discussions of man’s capacity for savagery and the fragility of social norms.

Golding wrote the book as an antidote to Ballantyne’s Coral Island, a once popular children’s adventure story advocating Christianity and the humanising influence of British colonialism. For Golding there was nothing there to admire or glorify; beneath the thin veneer of civilization, he believed, lay a selfish and violent desire for power, and a herd mentality where individuals could quickly descend into barbarity under evil leadership, and ostensibly decent people reveal murderous sociopathic instincts.

Golding’s focus on the dark side of humanity was influenced by the rise of fascism in the 1930s and by the violence and atrocities of World War Two. Later he wrote:

“My book was to say: you think the war is over and an evil thing destroyed. You are safe because you are naturally kind and decent. But I know why the thing rose in Germany. I know it could happen in any country.”

The book ends with a naval officer chiding the boys for their “unBritish” behaviour while, in an obvious parallel, his own warship anchored in the bay embodies an aura of menace. “Irony,” we all wrote in capitals in the margins of out texts. 

Yet, on an adult reading, it is not the most subtle of works, and we might crave a little optimism, but our current international landscape affirms its timeless relevance.

Following the success of Lord of the Flies, Golding retired from teaching and moved to the Wiltshire village of Broadchalke. He produced twelve more works of fiction, novels of the human condition, achieving cult status in the second half of the twentieth century.

Rites of Passage, the first novel in his sea trilogy, To the Ends of the Earth won the Booker Prize in 1980. Close Quarters (1987) and Fire Down Below (1989) completed his story of a voyage to Australia in the early nineteenth century. It is one of my favourite novels both for the harrowing descriptions of the twelve-month voyage in the cramped wooden ship, and for the vivid portraits of the passengers drawn from the whole spectrum of society.

 Golding evokes the creaking timbers, the thick air, the foetid atmosphere, the decks streaming with seawater, the darkness, and the claustrophobia so vividly one might retch alongside the exhausted, nauseous emigrants.

Through his motley protagonists he exposes patronising class and gender systems, pretension, power, privilege, arrogance, self-delusion, vanity, and double standards. His trenchant prose can engender in one paragraph an amalgam of sympathy, pity, loathing, irritation, and contempt for any one character.

Again, he lays bare the fragility of civilisation and the ease with which social constraints can collapse to be replaced by casual cruelty, this time amongst adults. Some critics have interpreted the closing chapters of Fire Down Below as a “happy ending,” with Edmund Talbot, having developed self-knowledge, determined to do good in the future. But I suspect this is a misreading of Golding’s conclusion. No one will do good in a rotten borough, and Talbot remains insensitive, self-absorbed, shallow, and pompous. Never more so than in his obtuse response to Zenobia’s message, “Tell Edmund I am crossing the bridge,” which carries even more poignancy than Charles Summers’ tragic death.

Golding won the Nobel Prize for Literature in 1983 for novels which with “realistic narrative…illuminate the human condition in the world today.”

He is buried under a yew tree in Holy Trinity churchyard, Broadchalke. The inscription on the stone has not been deeply incised but can still just be read:

Grave of William Golding and his wife Ann Golding

Remember with love

William Golding

1911-1993

Ann Golding

1912-1995

It is the star to every

wandering barque

The quotation is from one of Shakespeare’s most famous and beautiful love sonnets, number 116:

Let me not to the marriage of true minds

Admit impediments; love is not love

Which alters when it alteration finds,

Or bends with the remover to remove.

O no, it is an ever-fixèd mark

That looks on tempests and is never shaken;

It is the star to every wand’ring barque

Whose worth’s unknown, although his height be taken.

Love’s not time’s fool, though rosy lips and cheeks

Within his bending sickle’s compass come.

Love alters not with his brief hours and weeks,

But bears it out even to the edge of doom:

If this be error and upon me proved,

I never writ, nor no man ever loved.

So perhaps Golding’s personal life was happier than his social and political weltanschauung might imply.

Golding’s grave, Holy Trinity churchyard, Broadchalke, Wiltshire

 William Golding, Rites of Passage, Faber and Faber (1980).

                                 Close Quarters, Faber and Faber (1987)

                                  Fire Down Below, Faber and Faber (1989).

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